#RicardoForGood: Post versteigert Sondereditionen der «Swiss Crypto Stamp 5.0»

17.02.2025

Die Schweizerische Post und Ricardo setzen sich erneut für wohltätige Zwecke ein: Vom 17. bis 23. Februar 2025 werden im Rahmen von #RicardoForGood elf Sondereditionen der Krypto-Briefmarke Swiss Crypto Stamp 5.0 versteigert. Der gesamte Auktionserlös kommt der Förderung des Schweizer Schneesport-Nachwuchses zugute.

Bereits zum dritten Mal versteigert die Schweizerische Post Krypto-Briefmarken für den guten Zweck auf Ricardo. Diese Unique Edition der Swiss Crypto Stamp 5.0 besteht aus elf original signierten Unikaten – jedes in einer einmaligen Auflage von nur einem Exemplar. Der gesamte Erlös der Auktion wird vollumfänglich zur Förderung des Schweizer Schneesport-Nachwuchses eingesetzt.

Alle Auktionen starten ab CHF 1.– und laufen vom 17. bis 23. Februar 2025 auf ricardo.ch.

Swiss Crypto Stamp 5.0 zu Ehren der Schweizer Schneesport-Legenden

Die am 4. Dezember 2024 lancierte Swiss Crypto Stamp 5.0 ehrt die grössten Schweizer Schneesport-Stars, darunter Simon Ammann, Dario Cologna und Vreni Schneider. Die Krypto-Briefmarke ist in fünf Editionen erhältlich: Basic, Bronze, Silver, Gold und Unique. Während von der Basic Edition 110’000 Exemplare existieren, gibt es von der Unique Edition lediglich elf Stücke in Einzelauflage, die NFTs beinhalten.

#RicardoForGood: Bereits über CHF 2,3 Millionen für den guten Zweck gesammelt

Mit dieser Auktion knüpft Ricardo an den Erfolg von #RicardoForGood an – einer Initiative, mit der bereits über CHF 2,3 Millionen für wohltätige Zwecke zusammengekommen sind. Privatpersonen, Unternehmen und Organisationen versteigern dabei einzigartige Gegenstände oder Erlebnisse für gemeinnützige Projekte.

Auch 2024 kamen durch Charity-Auktionen auf Ricardo bedeutende Beträge zusammen. So wurden beispielsweise ein Original-Stöckli-Rennski von Marco Odermatt, Designobjekte aus der «Swiss Recraft Collection» sowie die Swiss Crypto Stamp 4.0 versteigert. Die Erlöse gingen unter anderem an SOS Kinderdorf, A Million Dreams, Pink Ribbon, Make-A-Wish und Pro Natura.
(Weitere Informationen über #RicardoForGood)

Mojca Fuks
Senior Corporate Communications Manager &
Media Spokesperson

[email protected]
+41 76 220 59 89 


Über Ricardo
Ricardo wurde Ende 1999 in Baar (ZG) gegründet. In den vergangenen 25 Jahren hat sich Ricardo zu einer der beliebtesten Online-Marktplätze für Secondhand-Ware im Schweizer E-Commerce-Markt entwickelt. Ricardo gehört zur SMG Swiss Marketplace Group AG.
www.ricardo.ch

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Marta Andreoni

Head of Design for Automotive

Introduce yourself and your role at SMG

I’m Marta Andreoni, Head of Design at SMG Automotive. I lead the design and UX writing team shaping AutoScout24 user experience. 

In my role, I wear many hats. My main focus is ensuring we stay true to our vision “simplifying people’s lives and connecting humans through innovative digital platforms” and our brand promise, “make it happen”. I challenge my team to think user-first, push for innovation, ease of use for our customers and make forward-thinking decisions, even within business and technological constraints.

 A big part of my role is supporting each designer’s growth, motivation, and career development. Through one-on-one coaching, mentoring, group work, and projects, I help my colleagues set and achieve their goals while fostering new learning opportunities.

What helps you feel empowered and confident in your role?

If I had to mention one thing I would say “being proactive” has been key to feeling more empowered. I enjoy solving problems, so when issues or opportunities arise, be it in the product, market or the team, I get curious and I proactively investigate the reasons and try to bring inputs to be discussed with others, this makes me feel I can be part of the process or solution and my point of view is going to be taken seriously. My optimism also plays a role, giving me confidence that even the most complex challenges can be solved. 

Besides, having trust from other managers and colleagues makes me feel in a safe environment where I can take ownership on topics I’m passionate about. 

What’s one thing SMG does well in fostering an inclusive workplace? What more can be done to amplify and support different perspectives in the workplace?

In my experience, we strive for balancing top-down and bottom-up inputs, ensuring employees can influence product directions, processes, and culture. People are approachable, and our strong feedback culture helps voices be heard. Across SMG, initiatives like regular People & Culture Surveys, topic guilds, and events in our locations across the world foster open exchange and mutual learning.

That said, I’ve noticed that quieter voices sometimes get less space, or interacting with top management can feel intimidating, especially when giving critical feedback. To make participation more inclusive, we could apply more facilitation and group work techniques like structured turn-taking, written input, and smaller group discussions – ensuring everyone, regardless of confidence level, seniority or personality, feels comfortable contributing. 

Design is often about seeing the world differently. How do unique perspectives contribute to more innovative, inclusive, or impactful design?

Design is about understanding diverse user personas and perspectives to create solutions that truly meet their needs or create new opportunities. I believe in the power of collaboration to shape user experiences – bringing together different disciplines, backgrounds, and lived experiences helps challenge assumptions, uncover blind spots, and drive more inclusive, innovative, and impactful solutions.

Looking back on your career, what’s one lesson or piece of advice you wish you had known earlier as a leader in design?

There are three things no one really prepares you for as a design leader: dealing with constant change, facing failure and handling emotions at work. These topics aren’t talked about much until you face them. I was lucky to learn from others’ experiences, but much of it came through my own.

One thing I wish I had understood earlier is the power of emotional intelligence, my job is no longer about the content and the design, it is about people. Self-awareness, not just of your own emotions, but also how others feel and react, can be the difference between conflict and harmony, frustration and clarity. The more I grow as a leader and designer, the more I realise that design isn’t just about doing the design job, delivering solutions on the market: it’s about navigating people, their emotions, and making change more acceptable and transforming issues into opportunities, both within the organisation and through great products.

 

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